Many filmmakers explore the themes of doubling and voyeurism, but few have done it as consistently or successfully as Brian De Palma. One of the handful (or two handfuls!) of masterpieces in his filmography, Body Double (1984) perfectly illustrates De Palma’s (and D.P. Steven H. Burum's) visual interrogation of these elements while also implicating us, … Continue reading We Like to Watch: Body Double →