Susie Diamond sang here
The first of many posts celebrating my favorite film posters. As an artist and a cinephile, I’ve long been enamored with the art of the film poster. I was fortunate to grow up during a golden age for movie posters—the seventies, eighties, and into the nineties, when real, honest-to-goodness artists crafted 27x40 inch masterpieces to … Continue reading Favorite Film Posters: Stripped to Kill 2: Live Girls
In which Drew Barrymore singlehandedly puts the “erotic” in this forgotten erotic thriller. A neglected erotic thriller that got lost in the glut of the 1990s erotic thriller boom, Doppelganger (1993) comes courtesy of writer-director Avi Nesher, of such acclaimed films as She (1982), Time Bomb (1991) and Raw Nerve (2000). Okay, none of those … Continue reading Lost and Found: Doppelganger
Who's a girl gotta suck around here to get a drink? Thirty years ago this fall, raven-haired beauty Linda Fiorentino gifted us with one of the great femme fatales of all time in John Dahl’s excellent neo-noir The Last Seduction (1994). Bridget Gregory is iconic, a deliciously manipulative grifter with a sardonic streak. She’s cold … Continue reading Bad Girls We Love: Bridget Gregory in The Last Seduction
Four years ago I wrote a few cult classic reviews for Diabolique Magazine, which gave me the germ of the idea for this post. After only writing a few paragraphs, life and other writing pulled me away, as often happens (seriously, you should see my drafts folder), and I let it sit. Then this year … Continue reading Nomi’s Dance with Death
In writing about Sharon Stone as crime novelist Catherine Tramell, a role she’s played twice, I was faced with two enticing choices. First, and most obvious, is to write about Stone’s electrifying, transcendent, and scandalous performance in her first Catherine Tramell film, Paul Verhoeven’s Basic Instinct (1992). That film is basically the gold standard for … Continue reading Lost and Found: Basic Instinct 2
The poster for the long-forgotten 1988 erotic thriller Call Me is one of the simplest, yet most effective of its era. A telephone cord wrapped around a woman’s long, nylon-sheathed legs, with the tagline, “Her fantasies could be fatal.” That’s a poster that knows what type of film it’s advertising and does it perfectly. That … Continue reading Lost and Found: Call Me
Since I first discovered his work with King of New York (1990), Abel Ferrara has been one of my favorite independent filmmakers. His films’ provocative style and content defined the pre-Disney New York City for me. Ferrara documented on film the city I knew from my childhood and young adulthood, the one that scared me … Continue reading Lost and Found: Fear City
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