Return to Crystal Lake

With the original Friday the 13th (F13) celebrating its fortieth anniversary recently, I decided to revisit the film that launched the franchise, and then wound up rewatching the next seven sequels after that. This was an impromptu marathon, perfectly made for these lockdown times, but one I'm glad I embarked upon, even if I'm feeling … Continue reading Return to Crystal Lake →

“I Restore Myself When I’m Alone”: On Marilyn Monroe and Introversion

Even if introverts are having a wonderful time at a social gathering, we still walk away drained by it, and when we're suffering through forced socialization it's even more depleting to our souls. Time alone is key, so we can recharge for another attempt at tackling this extrovert-friendly world we live in. That's why Marilyn … Continue reading “I Restore Myself When I’m Alone”: On Marilyn Monroe and Introversion →

Notorious

Wes Craven’s debut film The Last House on the Left (1972) was slapped with the "notorious" label for reasons that are glaringly apparent if you just watch the film. This notoriety, spurred on by critics losing their minds over the horrific violence of the film, only made people want to watch it more. Deep Throat … Continue reading Notorious →

Feelings

"Frank, to you 'Feelings' may be goddamn filet mignon, but to me, it's parsley. It's less than parsley." When Susie Diamond, as portrayed with incomparable excellence by Michelle Pfeiffer, spits out her contempt for singing the standard "Feelings" she's also speaking to a larger theme running through Steve Kloves's 1989 masterpiece The Fabulous Baker Boys … Continue reading Feelings →